The vulgarization of art
earliest edition we have, 1996 University Press of Virginia, 1996 133 pages
Victorian literature and culture series
In this major reinterpretation of the Victorian Aesthetic Movement, Linda Dowling argues that such classic works of Victorian art writing as Ruskin's Stones of Venice or Morris's Lectures on Art or Wilde's Critic as Artist become wholly intelligible only within the larger ideological context of the Whig aesthetic tradition. Tracing the genealogy of Victorian Aestheticism back to the first great crisis of the Whig po...
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